dotty seiter: now playing
diary of an artist at work

In This World

Cellobration! 23 August 2025

pause completely
for a moment,
if you will.
locate yourself in your body,

drop your shoulders,
let your hands go soft,
let your giornata—your day’s work—
fall away, dissipate:
the slicing of strawberries,
the angry motorist who nearly
hit you in a crosswalk,
the website that insisted you create
a new password to replace the old, again,
the unceasing news reports,
the mixing of concrete

for your garage repair,
the mowing of lawn,
the folding of laundry.
all of it gone, no longer present,
like ice that has melted,
like water that has evaporated.


now, step into this barn
with its terra cotta walls and
its post-and-rough-beam interior
opening all the way
to the peak of its roof.
imagine the work that took place here
when it was part of a model dairy farm

a century ago producing 1000 quarts
of milk daily, sense the activity
of the children’s day-camp program
in session here just this past week,
feel the jostling right now
as you come together

in community with others
in the gathering dusk
to find seats beneath the string lights.


drop into the energy of anticipation,

take in the rustling,
the overlapping conversations,
notice the sleeveless dresses, the strappy
sandals, the crisp button-down shirts
and pressed khakis, the blue jeans,
the polo shirts,
the occasional bow tie.

and then, stillness.

into a space
ample enough
for your collective presence
to bestow honor,
yet contained enough
to be intimate,
a handful of chamber musicians enters,

each one an alchemist.
in the fermata that arises
when crickets outdoors cease
tuning their instruments

and fall silent,
these cellists, violinists, and a violist
walk on stage

to take their places,
tune their own instruments,
then offer up their first notes
of performance.

know in every cell of your body,
this, too, in the world:


this fullness beyond words,
this
vibration,
bowing the strings
of your heart,
this
vibration,
plucking tears
from deep within,
vibration,

lifting
spirit to fill the barn
and spill out

through enormous
screen doors

behind the stage—
mesh screens as wide as the stage and
high as the roof sill—
offering access
to the movement of air and
the movement of the earth
as the sun gives over to darkness.


savor the movement of all
that falls away
and all that rushes in
to transport
to transform
to transfix.


no matter what else
in the world,
this too,

this music.

dotty seiter

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The Energy of Anticipation
3 x 3″; watercolor, ink, and watercolor pencil on paper
card #29 in a series of color swatches
2025

=====

Notes about poem and art:
• “Cellobration!” the poem took three months to write as I worked to find words to express how Cellobration! the concert, performed by Manchester Summer Chamber Music, touched me.
Card #16 in my color swatch series, posted previously, featured blackberry lilies in their closed seed-pod stage. Seeds, card #29 above, features them in their exposed-seeds stage, looking like blackberries, from which their common name derives. I’m still hoping to catch them in the blossom stage, but that won’t take place before next summer!



14 responses to “In This World”

  1. Your poem left wordless, just blew me away! I could feel the barn,see the people,hear the beautiful music!

    You MUST make a book with your own illustrations!

    Can’t wait to see all three together next summer!

    Happy Thanksgiving!

    Like

    1. Carol, thank you for your comments/feedback here! This poem was such a captivating challenge and I’m so pleased to know that it touched you—that you could feel the barn, see the people, hear the beautiful music! Hooray!

      It’s fun to play with ideas for an illustrated book of my poetry. One thing I have trouble imagining is how a long poem such as Cellobration! would translate to print matter where, of necessity, it would have to be split up to, at a minimum, two pages.

      I will be pouncing on blackberry lilies when they bloom next summer!

      Like

  2. Your 3-month to write poem was worth the effort and the wait. A beautiful description of the experience of immense gratitude, awe, connection with life.

    Like

    1. Sylvia, your recognizing the “immense gratitude, awe, connection with life” in this poem is such wonderfully affirming feedback. Thank you! That gratitude, awe, and connection with life was what I felt and was what presented such a compelling and highly engaging challenge to communicate.

      Like

  3. Wow! This poem was like a guided meditation taking us on the journey from that powerful experience in the barn through the three month road to putting the experience into words. Thank you for taking us along.

    And swatch #29 captures the journey these seed pods have come. I couldn’t love it more. I’m awestruck by it all!

    Like

    1. MaryAnn, what a beautiful poem of a comment about Cellobration! Thank you! There were so many gifts in the concert in August and so many gifts in the road to putting the experience into words.

      I had great fun painting my color swatches for the blackberry lily’s exposed end-of-season seeds, too! Glad you also enjoyed them. Seeds are all in the ground now for next year : )

      Liked by 1 person

  4. Dotty!!! I have read this beautiful poem several times now, just to feel my shoulders dropping, the hurry leaving, the savoring beginning. You have such talent, friend. As always, your swatch creation has me swooning!

    Like

    1. Lola, love that you mention you’ve read Cellobration! several times, “just to feel my shoulders dropping, the hurry leaving, the savoring beginning.” THAT was a big part of the gift of writing this poem! Which, I’ll add, I read aloud at a measured pace, with distinct pauses/fermate. As I read aloud, my own shoulder-dropping, hurry-leaving, and savoring-beginning became a tell, letting me know I was on track with how I was putting this piece together. Thank you, as ever, for your affirming comments, also a gift.

      Like

  5. WOW! I thought the poem would never stop, and I didn’t want it to! You have a gift, Dotty. I can see it all, so clearly! Beautiful work!

    I love this swatch!!! The melding colors, the peppy pop of the seeds, the lovely shade of green. Gorgeous!

    Thank you Dotty! Hope your Thanksgiving was delightful! xoxo

    Like

    1. Sheila, thanks for your words about the poem. They resonate with my experience of writing it—I thought it would never stop, and I didn’t want it to!

      And thank you for your feedback about the swatch, which was great fun to paint.

      Thanksgiving here was low key, convivial, collaborative, nourishing in all ways. I hope yours was also delightful! xoxo

      Liked by 1 person

  6. To me, this carries the same intensity of the poem that I just read (about noticing…). What if we really lived with all our senses open? Not taking anything for granted? Thanks!

    (PS: Those squares!!!!)

    >

    Like

    1. Simone, thank you for your words again about the noticing, living with all our senses open. I was intrigued when I went to write this poem, which was of course inspired by a performance of classical music, that I couldn’t tell the story of the music without bringing in the larger sensory context. I thought of you several times as I composed, knowing that music has such a key place in your life : )

      I know! Those squares! They are such gosh darned fun to paint!!!!

      Like

  7. Brilliant, beautiful poem. (I want to come, too!)

    And, blackberry lilies!!

    xo

    Like

  8. Thank you. That concert (Sage’s chamber music group) was powerful and such a welcome antidote to the craziness in the wider world. It was a very engaging piece to write—both because I wanted so much to find the words to share the experience and because it let me relive the experience over and over again.

    And I LOVED painting the blackberry lilies at this stage in their life cycle : )

    Like

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In 2014, I grab an unexpected opportunity to paint.

To make art.

I get hooked.

In 2015 I start a blog—a diary of my life as an artist.

I post my paintings and their stories. The good, the bad, the ugly.

My compass points: bust through fear, be playful, get messy, trust my gut.

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